Hamish MacPherson

hamishmacpherson.x@gmail.com

hamishmacpherson.co.uk

EDUCATION

2012-14 University of Roehampton. MRes: Choreography and Performance

2010-13    Birkbeck College. Foundation Degree in Performance: Dance

2006-08 Kings College London. MA: Human Values & Contemp’ Global Ethics

1997-00    University of Glamorgan. BA (Hon’s) Humanities

1996-97    Kent Institute of Art and Design. BTEC Foundation in Art and Design



COMMISSIONS

2020 It is urgent that we take our time

            Paraphilia Collective [DO_Gooders magazine]

2020 Metaform

            Wellcome Collection [Play Well]

2020   Metaform

            Swallowsfeet Collective [Oops at Oh]

2019   Shadows over Croydon w. Una Hamilton Helle

            Croydon Arts Store

2019   Zu Vier Handen w. Kimberley Harvey

            Sophiensæle, Berlin [The Space Inbetween/No Limits 2019]

2017   In which we prepare for…

            Commissioned by Alessia Cargnelli/ Catalyst Arts

            Catalyst Arts, Belfast [Black Mountain]

2017   Improvising Politics: Out of Touch

            Commissioned by Valerio Del Baglivo and Anna Santomauro

            Grand Union, Birmingham [VOZ RARA]

2017   Doomsday is Just Not Coming

            Commissioned by The Bad Vibes Club

            Centre for Contemporary Art, Derry-Londonderry

            Institute of Contemporary Art, London [In Formation]

            Open School East, Margate

2017   Non Existent Activity

            York St John University, York [SLAP festival]

            The Old Market, Brighton [Swallowsfeet festival]

2017   MOVEMENT 6

            Commissioned by Rene Carmichael/ Flee Immediately

            Published in Flee Immediately Issue 02: Dance and Code

2016   Breastbeating

            Commissioned by Manual Labours

            Showroom 2016 [The Complaining Body]

            Peltz Gallery 2016 [The Complaining Body]

2016   MOVEMENT 4.

            Commissioned by AirSpace Gallery

            AirSpace Gallery [Decapod]

2016   Maps w. Adam James and Sivan Rubenstein

            Commissioned by Sivan Rubenstein

            Attenborough Centre, Leicester

SELECTED WORKS

2020 Horny? Likely? *Lonely?

            The Bad Vibes Club, Online

2020 FLOATING

            SITE [in.oscillation]

2019 Metaform

            Mansions of the Future, Lincoln [inDialogue 2019]

2019 MOVEMENT 12 (FLOATING)

            Chisenhale Dance Space [Making an Exit]

2019   It is urgent that we take our time

            CCA Derry~Londonderry [URGENCIES]

2018 NO CLIMAX YET

            Spill Central, Ipswich [Spill Festival]

2018   Zu Vier Handen w. Kimberley Harvey

            Metal Liverpool [Dadafest]

            Southbank Centre, London [Unlimited]

2018   We Robot

            Artsadmin 2018 [LADA DIY]

2018   Breathe: Imperative w. Matthew de Kersaint Giraudeau

            Embassy Gallery, Edinburgh

            Display Gallery, Prague, Czech Republic

            Somerset House Studios London

2018   Alien Phenomenology w. Sarah Jury

            The Space, London [Adam James: An Extension of Us]

2017   🙊 🚪 🕖 w. Adam James.

            Tate Britain, London [Family Festival]

2017 🌳 ✋ 🔦 w. Adam James

            Theatre Delicatesant, London [The Smoke int’l larp convention]

2017   Let’s Play PMQs w. Rosalie Schweiker and Sarah Jury

            Resort studio, Margate 2017

2017   The Great Invisible w. Katherine Hall.

            The Trampery, London [Open Senses Festival]

2017   Powerfully Careful w. Katherine Hall.

            Brewery Studio, Bristol    

2017   Alien Phenomenology w. Sarah Jury

            Res., UK

            Ed Forneliales Studio, London [Play Co Summit]

2016   There she lies motionless w. Francesca Cavello.

            Cabaret Voltaire, Zurich [Manifesta 11]

2016   FLOATINGLAB

            Chisenhale Dance Space, London [OpenLAB]

2016   Alt Prepping

            Decoda Coventry University [Summer Dancing]

            Guest Projects [The Rebel Man Standard]

            Open School East

2016   How Many Things to Build the Future

            Studio ALTA, Prague [Ludic Stance]

2016   Thunderous Grumblings Under Cover of Darkness

            Yorkshire Dance, Leeds

2016   Contemporary Dance is a Political Project

            Sadlers Wells, London [The Rebel Man Standard]

2015   🌳 ✋ 🔦 w. Adam James

            Camden People’s Theatre, London

2015   Watch Me Watch You w. Rachael Dichter  

            Roehampton University, London    

2015   How Many Chairs to Build the Future

            Camden People’s Theatre, London [Beta Public IV]

            Royal Holloway, London [Dancing Economies conference]

            Utrecht University [Ppp conference]

2015 The Third Chamber w. Gille Kleiman.

            Beeston Park, Merrion Centre, Bramley Shopping Centre, Leeds [Ludus]

2015   dialogue 1 part 5: How to live in a dead machine w. Maria Sideri

            Chisenhale Dance Space, London

2014 All The Things That We Can Do

            Chisenhale Dance Space, London

            Shoreditch Town Hall, London

            Roehampton University London

2014 How Many Chairs to Build the Future

            Showroom Gallery, London

            Bethnal Green Library, London

            Z-arts, Manchester [Emergency festival]

2014 The Third Chamber w. Gille Kleiman.

            Ludus Dance, Lancaster [Encounters]

2014   Open House

            Merton College, Oxford [Dancin' Oxford Festival]

2014   How do we think with our bodies?

            Bethnal Green Library, London

2014   what_now festival 2014

            Siobhan Davies Studios, London

2013   Improvising Politics: explorations in Somatic Citizenship

            Halmstad, Sweden [Knutpunkt]

            Millennium Point, Birmingham [Many & Varied: Bees In a Tin]

            Chisenhale Dance Space, London

2013   The Third Chamber w. Gille Kleiman.

            Brunswick Centre, London [Rajni Shah Projects]    

2013   Open House

            Toynbee Studios, London [BELLYFLOP Cue Postions]

2013   The corrosive effects of time redefine everything against our will

           Roehampton University, London

2013   Dancing Politics. w Gillie Kleiman

            Cambridge Junction, Cambridge

TEACHING

2019    Institut für Theater, Film und Medienwissenschaft Goethe Universität Frankfurt

2019    Goldsmiths MA Design

2018    Syllabus IV cohort  

2018    LSE Philosophy Forum

2018    Birkbeck arts PhD candidates

2018    Alt MFA

2017    Goldsmiths PhD candidates

2017    London School for Contemporary Dance MA

2015    Birkbeck BA Dance

2015    Independent Dance’s Crossing Borders

2014    Dance Art Foundation‘s Dance Critical Theory Group.

2013    Open School East

AWARDS

2018    SPILL Festival SPILL OPEN, UK

2018    LADA DIY, UK

2017    METAL Changemakers LAB participant, UK

2017    Dance on the Radio award

2016    Golden Cobra Award: Game with best use of somatic elements

2015    danceWEB scholarship, Austria/EU

2014    Outstanding Masters Research 2014. Roehampton University Dance Department, UK

2013    Independent Dance’s mentoring programme, UK

RESIDENCIES

2017    Siobhan Davies Studios Open Choreography Residency, UK

2016    Performing Politics/Politicising Performance: Summer School of Political Dissent. University of Warwick, UK

2016    AirSpace Gallery artist in residence, UK

2015    Meg Stuart/ Porto Sessions, Portugal

2015    Tanteo, UK

2015    PAF London, Independent Dance, UK

2015    Paradise Lost, Retreat, UK

2014    Paradise Lost, Retreat, UK

2013    Paradise Lost, Retreat, UK

2012    Dramaturgs’ Network ft. Hildegard de Vuyst, Dramaturgy and Dance, UK

PUBLICATIONS, PAPERS, ARTICLES

Blades, H. 2018. ‘Dance’s Political Imaginaries’ in Ellis, S., Blades, H., & Waelde,   C. (Eds.) (2018). A World of Muscle, Bone & Organs: Research and Scholarship in Dance. Coventry: C-DaRE.

Blades, H. 2019. ‘Projects, Precarity, and the Ontology of Dance Works.’ Paper. Dance Research Journal. April 2019.  

Blades, H. 2019.‘Performance and the Partial.’ Paper. Choreographic Practices.

de Kersaint Giraudeau, M. 2015. On Gifs. Interview. Bad Vibes Club

Ellis, S., Hughes, P. and MacPherson, H. 2018. We Took Photographs

Hughes, P. and MacPherson, H. 2018. I could never imagine where I am now so how can I imagine where I will be next. Paper. Digital Echoes 2018, Centre for Dance Research in Coventry University

MacPherson, H. (Ed.) 2019. STILL LIFE: Horny? Likely? *Lonely?

MacPherson, H. (Ed.) 2019. STILL LIFE: Issue 4

MacPherson, H. (Ed.) 2018. STILL LIFE: Issue 3

MacPherson, H. (Ed.) 2018. STILL LIFE: Issue 2

MacPherson, H. (Ed.) 2017. STILL LIFE: Issue 1

MacPherson, H. 2016. Puppies, Participants and Patients. Paper. Performing Care, Central School for Speech and Drama

MacPherson, H. 2016.What if a complaint needs to be made with paint or fire or shit?

MacPherson, H. 2016. ‘What Are Screendance Competitions Even For? A Response to the 2015 Leeds International Film Festival Screendance Competition’ in The International Journal of Screendance. Vol 6. 2016

MacPherson, H. 2014. The Small i and Technologies of Abstraction Masters text

MacPherson, H. 2014. Between intuition & analysis: Choreography after Henri Bergson. Paper. The Young conference. University of Groningen

MacPherson, H. 2014. The World is at Your Feet: Perspectives on Choreography from Conceptual Metaphor. Paper. On Feet symposium. Roehampton University.

MacPherson, H. 2013. ‘Body Politics’. Exeunt

MacPherson, H. 2013. ‘Fringe Travel’. Bellyflop/ Dance Umbrella

Oosten, A. 2019. ‘Hamish MacPherson and his zine STILL LIFE’ in www.zorgethiek.nu

Oosten, A. 2019. ‘Pondering ‘STILL LIFE’’ in www.zorgethiek.nu