THINGS I WROTE
Hamish MacPherson. 2021
The photoshoot as a choreographic encounter.
Simon Ellis, Paul Hughes and Hamish MacPherson. 2018
It covers things to do with collaboration, power and when things don’t seem to be going right.
Paul Hughes and Hamish MacPherson. 2018
A paper presented at the symposium ‘Reflections off the future organised by the Centre for Dance Research in Coventry University.
Hamish MacPherson. 2017
This is something based on a presentation I gave to MA students at the London School for Contemporary Dance about research.
Hamish MacPherson. 2016
How the use of named roles can be considered in terms of care relationships.
Hamish MacPherson. 2016
I was wondering if could we think of a kind of ‘Alt Prepping’ that stockpiles aesthetics, movements, relationships and other resources for some unimagined future?
Hamish MacPherson. 2016
Text delivered at Khan Studio, Sadler’s Wells at the conclusion of the Rebel Man Standard project.
Hamish MacPherson. 2016
A Response to the 2015 Leeds International Film Festival Screendance Competition.
Hamish MacPherson. 2014
If the human mind is rooted in the human body, then the Enlightenment is rooted in the human feature of feet.
THINGS OTHER PEOPLE WROTE
Paul Paschal. 2023
An interview about my solo exhibition Christopher Wren: What Legacy Now.
Hetty Blades. 2019
An extract from Blades, H. 2019. ‘Projects, Precarity, and the Ontology of Dance Works.’ Paper. Dance Research Journal.
Hetty Blades. 2019
An extract from Blades, H. 2019. ‘Projects, Precarity, and the Ontology of Dance Works.’ Paper. Dance Research Journal.
Hetty Blades. 2018
An extract from ‘Dance’s Political Imaginaries’ in Ellis, S., Blades, H., & Waelde, C. (Eds.) (2018). A World of Muscle, Bone & Organs: Research and Scholarship in Dance.
Mil Vukovic-Smart. 2017
A participant’s response.
Jonny Blamey. 2014
A reflection on How Many Chairs to Build the Future? at the University of Roehampton.