Antonio De La Fe
Kimberley Harvey
Paul Hughes

And so tell me how does it end?

2018




Over six hours, four performers assemble themselves in ever-shifting configurations of ones, twos, threes and fours; in arrangements of passivity and activity, movement and stillness. These vary from wrapping a limp body to giving an anatomy lecture, from exhausted, wild dancing to asking the audience ‘What shall I do next?”.

For the performers this is one work made up of 11 one-hour sections that overlap over the six hours so at any one time there are two performances taking place - merging, contrasting and cohabiting the space. Changing their costume, lighting and scenography, they draw the audience in to different worlds of care and intimacy - from sex club to salon to mortuary and things in between.

Similarly there are multiple overlapping audiences, each only experiencing a one hour chapter of the whole piece; seeing some things end, some things transform and some things begin. Each of these hour long chapters is unique in content, tone and genre, a window into an unknowable whole.

Audiences overlap as well as the performances so every half hour a new audience enters and one leaves. As you enter there is already an audience sat opposite you, half way through their experience - what do they know? What has gone before?

This is the latest work in Hamish’s Configurations series which orbits around the idea of care as an aesthetic, choreographic and political practice. As a negotiation of constantly fluctuating needs, capacities and interests. And in particular, care that is disengaged, reluctant or otherwise complicated and with problems.

Supported by Arts Council England, Roehampton University, Sadlers Wells and ArtsAdmin. Part of the SPILL OPEN, supported by the Jerwood Charitable Foundation

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